Introduction
“Going Back,” the 2010 album by Phil Collins, was a deeply personal project, a tribute to the music that shaped his youth and inspired him to become a musician. It wasn’t an album of original material, but rather a collection of covers of classic Motown and soul songs from the 1960s. Among these lovingly recreated tracks is “Going to a Go-Go,” originally a hit for Smokey Robinson & The Miracles in 1965.
The original “Going to a Go-Go” captured the infectious energy of the burgeoning dance scene of the mid-60s. Its driving rhythm, catchy melody, and Smokey Robinson’s distinctive vocals made it a staple of radio airplay and dance parties. The song evokes images of bustling dance floors, flashing lights, and the pure joy of movement and music. It’s a quintessential example of the Motown sound, characterized by its tight arrangements, prominent basslines, and call-and-response vocals.
For Collins, revisiting these songs was a return to his roots. He has spoken extensively about how these records influenced him as a young drummer and musician. With “Going Back,” he aimed to recreate the authentic sound and feel of the original recordings, utilizing vintage equipment and recording techniques. His version of “Going to a Go-Go” stays remarkably faithful to the original, showcasing his respect for the source material. While Collins doesn’t try to imitate Smokey Robinson’s unique vocal style, he brings his own seasoned vocal delivery to the track, adding a touch of his own personality while maintaining the song’s core energy. This rendition serves not only as a cover but also as a testament to the enduring power of classic soul music and its influence on generations of artists.