Introduction
For those of us who appreciate the often-unseen depths of a musician’s artistry, beyond the chart-topping singles and vocal performances, delving into instrumental works can be a particularly rewarding experience. Phil Collins – Around the World in 80 Presets, a track that often flies under the radar compared to his more vocal-centric compositions, offers a fascinating journey through sound and texture. For the discerning listener, one who enjoys unraveling the intricacies of arrangement and the evocative power of instrumental music, this piece from his 1996 album Dance into the Light provides a compelling insight into Collins’s nuanced compositional talents.
While Dance into the Light is generally recognized for its more organic, live band feel, “Around the World in 80 Presets” stands out as a unique exploration of synthesized soundscapes and global rhythms. The title itself is a playful nod to the advent of digital synthesizers and their myriad pre-programmed sounds, hinting at a journey not just geographically, but sonically. What immediately captures attention is the track’s distinctive percussive backbone. As always, Collins’s drumming is precise and inventive, laying down a groove that feels both intricate and effortlessly propulsive. He blends his characteristic tight fills with more expansive, almost tribal rhythms, creating a foundation that invites exploration.
The beauty of this instrumental lies in its rich tapestry of sounds. Collins, known for his keen ear and his adventurous spirit in production, weaves together a diverse array of synthesized textures. These aren’t merely generic patches; they are carefully chosen and manipulated to create distinct melodic phrases and atmospheric backdrops. You can hear shimmering pads, intricate arpeggios, and expressive leads, all contributing to a sense of forward motion and unfolding scenery. It’s a testament to his skill as an arranger that he can combine these disparate elements into a cohesive and engaging whole, maintaining interest throughout the track’s duration without the aid of a lead vocal.
“Around the World in 80 Presets” effectively evokes a sense of travel and discovery without relying on overt musical clichés. The shifting soundscapes and rhythmic variations suggest different landscapes and cultures, allowing the listener’s imagination to paint its own pictures. There are moments of quiet contemplation, where the synthesized textures drift like clouds, followed by bursts of vibrant energy where the rhythm section comes alive. This dynamic ebb and flow is crucial to the track’s enduring appeal, ensuring that it remains engaging through its entire run time. It’s a testament to Collins’s mastery of musical storytelling, even in a purely instrumental context.
Ultimately, Phil Collins – Around the World in 80 Presets serves as a fascinating entry point into a less-explored aspect of his prolific career. It’s a reminder that his musical contributions extend far beyond the catchy choruses and powerful ballads for which he is most renowned. For any seasoned admirer of his work, or indeed for anyone with an appreciation for well-crafted instrumental music, this track offers a sophisticated and absorbing listen. It invites us to embark on a sonic adventure, demonstrating the boundless possibilities when an artist with a discerning ear and a masterful touch sets out to explore the world through sound